Laugh out loud with the best comedy audiobooks performed by hilarious narrators and comedians. Our collection features witty observations, humorous essays, satirical stories, and stand-up performances that bring joy to any day. Perfect for lightening your mood during commutes or adding fun to mundane tasks.
A Terrible Thing in the Form of a Literary Torpedo which is Launched for HILARIOUS PURPOSES ONLY Inaccurate in Every Particular Containing Copious Etymological Derivations and Other Useless Things by Noah Lott (an ex-relative of Noah Webster)(Summary from book’s cover page)
There’s Laughter in the Air takes readers on a sidesplitting romp through the world of old-time radio comedy. It gives a brief history of the medium and brief but intimate accounts of some of the biggest acts from the 1930s and 1940s. Gaver and Stanley give insight on several luminaries from the days of vintage radio: Jack Benny, Fred Allen, Fibber McGee and Molly, Burns and Allen, Amos ‘n Andy, and more! (Summary by ChuckW)
“Porcelain and Pink” is a comic one-act play from the 1922 short story collection Tales of the Jazz Age. The plot involves a young woman in a bathtub and a case of mistaken identity. (Summary by Laurie Anne Walden)
Jonathan Swift almost defines satire in this biting and brutal pamphlet in which he suggests that poor (Catholic) Irish families should fatten up their children and sell them to the rich (Protestant) land owners, thus solving the twin problems of starving children and poverty in one blow. When the “Proposal” was published in 1729, Swift was quickly attacked, and even accused of barbarity – the exact state the “Proposal” was written to expose. (Summary by Hugh)
K Bangs has taken Alice from Lewis Carroll’s “Alice in Wonderland†and lets her on a boring day travel with the Mad Hatter, the March Hare, the Cheshire Cat and the other of Carroll’s familiar characters to Blunderland. The story is a well written Satire, a witty, humorous tale of adventure and city politics, a tale of Alice in a land where nothing is as it should be.
Lady Windermere’s Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first produced 22 February 1892 at the St James’s Theatre in London. The play was first published in 1893. Like many of Wilde’s comedies, it bitingly satirizes the morals of Victorian society, particularly marriage.
The story concerns Lady Windermere, who discovers that her husband may be having an affair with another woman. She confronts her husband but he instead invites the other woman, Mrs Erlynne, to his wife’s birthday ball. Angered by her husband’s unfaithfulness, Lady Windermere leaves her husband for another lover. Or does she? Is it really possible to trust delicious gossip? Are all men really bad? These and many other questions are raised and if not answered, then held up for public scrutiny in this biting satire of morals and proper behavior. The best known line of the play sums up the central theme:
We are all in the gutter, but some of us are looking at the stars. —Lord Darlington (from Wikipedia and the reader)
Ambrose Bierce (1842 – 1914?), satirist, critic, poet, short story writer and journalist. His fiction showed a clean economical style often sprinkled with subtle cynical comments on human behaviour. In the Devil’s Dictionary, he let his sense of humour and his cynical outlook on life colour a collection of dictionary-like definitions. (Summary by Peter)
Why Marry? is a comedy, which “tells the truth about marriage”. We find a family in the throes of proving the morality of marriage to a New Age Woman. Can the family defend marriage to this self-supporting girl? Will she be convinced that marriage is the ultimate sacredness of a relationship or will she hold to her perception that marriage is the basis of separating two lovers.
“Why Marry?” won the first Pulitzer Prize for Drama. (Summary by Linette Geisel)
The #1 New York Times Bestseller
“An engaging look at the often head-scratching, frequently infuriating mating behaviors that shape our love lives.” —Refinery 29
A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices
At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated?
Some of our problems are unique to our time. “Why did this guy just text me an emoji of a pizza?” “Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos?!” “My girlfriend just got a message from some dude named Nathan. Who’s Nathan? Did he just send her a photo of his penis? Should I check just to be sure?”
But the transformation of our romantic lives can’t be explained by technology alone. In a short period of time, the whole culture of finding love has changed dramatically. A few decades ago, people would find a decent person who lived in their neighborhood. Their families would meet and, after deciding neither party seemed like a murderer, they would get married and soon have a kid, all by the time they were twenty-four. Today, people marry later than ever and spend years of their lives on a quest to find the perfect person, a soul mate.
For years, Aziz Ansari has been aiming his comic insight at modern romance, but for Modern Romance, the book, he decided he needed to take things to another level. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. The result is unlike any social science or humor book we’ve seen before.
In Modern Romance, Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world.