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  • Title: Lock and Key: The Gadwall Incident
  • Author: Ridley Pearson
  • Narrator: Nicola Barber
  • Length: 01:54:00
  • Version: Abridged
  • Release Date: 23/08/2016
  • Publisher: HarperCollins
  • Genre: Kids, Classics, Mystery & Fantasy
  • ISBN13: 9.78E+12

Welcome to another audiobook journey!
Picture this: I’m winding through the narrow, cobblestone streets of a small Portuguese village, the scent of salt and grilled sardines in the air, when I first press play on *Lock and Key: The Gadwall Incident* by Ridley Pearson, narrated by Nicola Barber. It’s one of those moments where the world outside and the story inside collide in the most unexpected, delightful way. Ridley Pearson, the mastermind behind *Peter and the Starcatchers* and *Kingdom Keepers*, takes us on a digital prequel adventure that’s as much a mystery as it is a memory trigger. This audiobook experience—short, sharp, and brimming with intrigue—drops us into the shadowy origins of Sherlock Holmes and James Moriarty’s rivalry, and let me tell you, it’s a ride worth taking.

The story unfolds like a map I once found tucked into an old book in a Lisbon flea market—creased, mysterious, and promising hidden treasures. Set just twenty-four hours before a life-altering tipping point for young James Moriarty, *The Gadwall Incident* introduces us to a world of danger and deception surrounding the Moriarty family. It’s a prelude to the larger *Lock and Key* series, teasing the moment James and his sister Moria are shipped off to Baskerville Academy, where a certain insufferable Sherlock awaits. Pearson crafts a tale that’s equal parts kids’ mystery, classic homage, and fantasy-tinged suspense, and honestly, it’s the kind of story that makes you want to hit pause just to savor the tension.

Listening to this audiobook reminded me of a time when I was camped out in the Atacama Desert, the vast emptiness stretching out like a blank page, and I let Gabriel García Márquez’s voice (via a narrator, of course) fill the silence with *One Hundred Years of Solitude*. There’s something about a good audiobook that transforms solitude into something magical, and *The Gadwall Incident* did just that. It brought back memories of evenings in Oaxaca, too, where a grandmother’s storytelling—her pauses as deliberate as footsteps on a dusty trail—taught me the power of a voice to carry a tale. Nicola Barber’s narration here has that same intimate, personal quality. She doesn’t just read; she performs, pulling you into James’s world with a cadence that’s both urgent and tender.

Let’s dig into the meat of it. The story hinges on James Moriarty—a boy on the cusp of something bigger, darker, than he can imagine. Pearson gives us a glimpse of his childhood slipping away, shadowed by family secrets and looming threats. It’s a slow burn, clocking in at just under two hours, but it’s packed with false starts and daring escapes that keep you guessing. The themes here—loyalty, betrayal, the weight of destiny—hit me hard. Theyechoed a night I spent in a Moroccan riad, listening to a local guide recount tales of family feuds that shaped entire villages. Pearson doesn’t overexplain; he trusts you to feel the stakes, and that restraint makes the listening experience all the more gripping.

Now, about that narration—Nicola Barber is a revelation. Her voice is crisp yet warm, like a fire crackling on a chilly night. She shifts effortlessly between James’s quiet introspection and the story’s pulse-pounding moments, giving each character a distinct flavor without overacting. You can almost hear the creak of a carriage or the rustle of leaves as danger closes in. The audio quality is top-notch, too—clean and immersive, with no distractions to pull you out of the moment. It’s the kind of performance that makes you forget you’re listening through earbuds and not sitting across from a storyteller in the flesh.

That said, nothing’s perfect. The brevity of *The Gadwall Incident*—just shy of two hours—left me hungry for more. It’s a teaser, a taste of the *Lock and Key* series, and while it stands alone as a tight little mystery, it’s so tantalizing that I found myself wishing for a deeper dive into James’s psyche or the Moriarty family’s machinations. And while Barber’s narration is stellar, there were moments where I craved a slightly slower pace to let the tension breathe—like those Oaxaca evenings when silence was as powerful as words. Still, these are small quibbles in an otherwise captivating audiobook experience.

How does it stack up? Think of it as a younger, leaner cousin to classics like *The Hound of the Baskervilles*—a nod to Sherlockian lore with a fresh, kid-friendly twist. It’s got shades of Pearson’s own *Kingdom Keepers*, too, with its blend of adventure and shadowy stakes, though this one leans harder into character over spectacle. If you’ve enjoyed audiobooks like *The Mysterious Benedict Society* narrated by Del Roy, you’ll find a similar vibe here—smart, suspenseful, and perfectly pitched for listeners who love a good puzzle.

Who’s this for? Kids who devour mysteries will love it, sure, but don’t sleep on it if you’re an adult with a soft spot for Sherlock or a curiosity about Moriarty’s roots. It’s a free audiobook, too—available through some platforms like Audiobooks.com—which makes it an easy recommendation for anyone looking to dip into Pearson’s world without cracking open their wallet. Pair it with a rainy afternoon or a long drive, and you’ve got yourself a mini-escape.

Reflecting on it now, *The Gadwall Incident* feels like one of those hidden histories I love unearthing on the road—a fragment of a bigger story that’s all the more precious for its mystery. It’s not just about James and Sherlock; it’s about the spaces between them, the choices that shape who they’ll become. Listening to it felt like peeling back layers of my own travels—each twist a reminder of how stories, like journeys, are built on what we leave behind as much as what we carry forward.

So, grab your headphones, find a quiet corner, and let Nicola Barber guide you into this little gem. You won’t regret it.

Until the next tale,
Marcus Rivera