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  • Title: My School Days
  • Author: Edith Nesbit
  • Narrator: Cori Samuel
  • Length: 02:14:00
  • Version: Abridged
  • Release Date: 01/01/2016
  • Publisher: LibriVox
  • Genre: Kids, Biography & Memoir, Classics
  • ISBN13: SABLIB9781507
Hola, fellow literary travelers!

There’s something uniquely transportive about listening to childhood memoirs while on the road. As someone who has spent countless hours with audiobooks as companions across deserts, mountains, and bustling cityscapes, I find that stories of formative years often create the most intimate connection between narrator and listener. Such is the case with Edith Nesbit’s “My School Days,” a short but remarkably vivid memoir that captured my attention during a recent journey through the English countryside.

Originally serialized in The Girl’s Own Paper from 1896 to 1897, this brief audiobook (just over two hours in length) offers a fascinating window into Victorian childhood through the eyes of one of the era’s most beloved children’s authors. While Nesbit is best known for classics like “The Railway Children” and “Five Children and It,” this personal account reveals the woman behind the stories and the experiences that shaped her literary imagination.

The memoir’s setting immediately transported me back to my own school days. As Cori Samuel’s gentle British accent filled my earbuds, I found myself recalling the wooden desks, peculiar teachers, and playground politics of my childhood in suburban New Jersey. It reminds me of a time when I would hide books beneath my math textbook, escaping into worlds far more interesting than fractions and decimals. Nesbit’s recollections of her teachers ““ some inspiring, others terrifying ““ evoked that universal childhood experience of navigating the mysterious adult world of education.

What struck me most about this listening experience was Nesbit’s remarkable honesty about her childhood fears and anxieties. The story unfolds like a confession from a trusted friend, revealing vulnerabilities that feel startlingly modern despite being written over a century ago. You can almost feel the racing heart of young Edith as she describes her terror of certain teachers or her dread of particular school assignments. This emotional authenticity creates an immediate connection that transcends time.

Samuel’s narration perfectly captures the essence of Nesbit’s voice ““ curious, observant, and occasionally mischievous. Her pacing allows listeners to savor Nesbit’s rich descriptions and thoughtful reflections. The audio quality, while not as polished as commercial productions, has a warm, intimate quality that suits the material perfectly. It feels as though you’re sitting in a cozy library while a knowledgeable friend reads aloud from a treasured volume.

The memoir provides fascinating insights into Victorian education, particularly for young girls. Nesbit’s accounts of curriculum, discipline, and social expectations offer valuable historical context without ever feeling like a dry historical document. Instead, they’re woven naturally into her personal narrative, creating a vivid portrait of childhood in late 19th century England.

One particularly memorable section describes what Nesbit calls “the best summer of her childhood.” As I listened to this passage while driving through the rolling hills of the Lake District, I was reminded of my stay with a family in Oaxaca, Mexico, where each evening the grandmother would gather everyone for storytelling. There’s something about childhood summers ““ their seemingly endless days and heightened sensory experiences ““ that transcends cultural and temporal boundaries. Nesbit captures this universal quality beautifully, and Samuel’s narration enhances the nostalgic warmth of these recollections.

Throughout the audiobook, subtle themes of social class and gender expectations emerge. Though Nesbit doesn’t explicitly critique Victorian society, her observations reveal the constraints placed on young women of her era. As a travel writer who has documented cultural traditions across continents, I found myself analyzing these subtle social commentaries with particular interest. They provide valuable context for understanding not only Nesbit’s fiction but also the broader cultural landscape of Victorian England.

What makes this audiobook especially valuable is how it illuminates Nesbit’s development as a writer. Even in recounting her school experiences, her imaginative spirit and keen observational skills shine through. You can trace the lineage from the observant schoolgirl to the author who would create some of children’s literature’s most enduring characters. For anyone familiar with Nesbit’s fiction, this memoir adds rich layers of understanding to her creative work.

The free availability of this LibriVox recording makes it particularly accessible to listeners interested in exploring Victorian literature and memoir. While commercial audiobooks often provide more consistent production values, Samuel’s volunteer narration brings an authentic enthusiasm to the material that professional productions sometimes lack. There’s a palpable sense that the narrator genuinely connects with Nesbit’s experiences, creating a listening experience that feels personal rather than commercial.

If I were to note limitations, I would mention that modern listeners might occasionally wish for more context about certain Victorian references or customs. Additionally, the memoir’s episodic structure ““ a result of its original serialization ““ sometimes creates a slightly disjointed narrative flow. However, these minor issues hardly detract from the overall charm and historical value of the audiobook.

“My School Days” pairs well with other memoirs of Victorian childhood, such as the autobiographical elements in Charlotte Brontë’s works or Charles Dickens’s personal writings. For those interested in the history of education, it offers a fascinating counterpoint to fictional accounts like Thomas Hughes’s “Tom Brown’s School Days,” providing a female perspective on Victorian schooling that is relatively rare in the literature of the period.

This audiobook would particularly appeal to listeners interested in women’s history, Victorian social customs, or the development of children’s literature. It also serves as an excellent introduction to Nesbit’s work for those unfamiliar with her fiction. The brevity of the recording (just over two hours) makes it perfect for a day trip or a series of commutes, offering literary substance without requiring extensive time commitment.

As I finished listening to “My School Days” while watching the sun set over the English countryside, I felt that peculiar connection that sometimes happens with audiobooks ““ a sense of having shared an intimate journey with both author and narrator. Nesbit’s school days may have occurred over a century ago, but in Samuel’s capable narration, they feel immediate and relatable, reminding us that despite vast historical changes, the emotional landscape of childhood remains surprisingly constant.

Until the next literary journey,nMarcus Riverann”This audiobook is available as a free download through LibriVox, making it an accessible entry point to Edith Nesbit’s work and Victorian memoir.”