Audiobook Sample

Listen to the sample to experience the story.

Please wait while we verify your browser...

  • Title: One With You
  • Author: Sylvia Day
  • Narrator: Jeremy York, Jill Redfield
  • Length: 14:33:00
  • Version: Abridged
  • Release Date: 05/04/2016
  • Publisher: Brilliance Audio
  • Genre: Romance, General, Romance, General
  • ISBN13: 9.78E+12
Dear fellow literary explorers,

As I settled into my favorite armchair with a cup of jasmine tea – the same chair where I first discovered the Crossfire series during my sabbatical in Kyoto – I prepared to experience the final chapter of Gideon and Eva’s tumultuous love story through the medium that has increasingly become my preferred method of literary consumption: the audiobook. Sylvia Day’s ‘One With You,’ narrated by Jeremy York and Jill Redfield, presents a fascinating case study in how contemporary romance navigates the complex terrain of emotional trauma and erotic intimacy.

Through a cultural lens, what fascines me most about this production is how the dual narration mirrors the novel’s central theme of two damaged souls becoming one. Having spent years analyzing gender representation in literature across cultures, I find Day’s portrayal of Gideon and Eva’s relationship particularly compelling when experienced aurally. The narrators’ performances create an immersive experience that highlights the text’s emotional depth in ways that silent reading might miss. This reminds me of my seminar at Berkeley where we compared reading formats – much like how ‘Cloud Atlas’ revealed different dimensions in each medium, ‘One With You’ gains new resonance in audio form.

Jeremy York’s deep, measured delivery perfectly captures Gideon’s controlled intensity, while Jill Redfield brings Eva’s vulnerability and strength to life with remarkable nuance. Their performances elevate Day’s prose, particularly in the more introspective passages where the characters confront their traumatic pasts. The audio format enhances the novel’s emotional impact – I found myself pausing frequently to reflect, much as I did when first encountering Murakami’s work in both English and Japanese, appreciating how different mediums shape our reception of a story.

Thematically, ‘One With You’ continues Day’s exploration of love as both sanctuary and battlefield. As someone who has written extensively about relationship dynamics in contemporary fiction, I appreciate how Day avoids simplistic resolutions. The characters’ growth feels earned, their struggles authentic. The audiobook’s pacing allows these developments to unfold naturally, giving listeners space to absorb each emotional beat.

From a technical perspective, the production quality is excellent. The narrators maintain consistent character voices throughout, and their chemistry mirrors the protagonists’ connection. However, I did notice some minor pacing issues in the more contemplative sections – moments that might benefit from slightly longer pauses to let the weight of revelations settle.

Compared to other works in the genre, ‘One With You’ stands out for its psychological depth. While it shares some tropes with popular romance, Day’s attention to character psychology and the authentic portrayal of trauma recovery sets it apart. The audiobook format, with its inherent intimacy, serves this aspect particularly well.

For potential listeners, I’d recommend this audiobook to those who appreciate character-driven romance with psychological complexity. The narration adds significant value to the text, creating an experience that’s both intellectually engaging and emotionally satisfying. However, readers who prefer faster-paced plots might find some sections overly introspective.

As I reached the final chapters, I found myself reflecting on how audiobooks have transformed my relationship with literature. Much like my discovery of Murakami’s bilingual narratives revealed new layers of meaning, experiencing ‘One With You’ through York and Redfield’s performances offered fresh insights into Day’s characters. The medium’s ability to convey emotional nuance through voice adds a dimension that traditional reading can’t quite match.

With scholarly appreciation for the art of storytelling,
Prof. Emily Chen