Audiobook Sample

Listen to the sample to experience the story.

Please wait while we verify your browser...

  • Title: Split Second
  • Author: David Baldacci
  • Narrator: Scott Brick
  • Length: 11:42:40
  • Version: Abridged
  • Release Date: 01/08/2005
  • Publisher: Hachette Book Group USA
  • Genre: Mystery, Thriller & Horror, Political Thriller, International Mystery
  • ISBN13: 9.78E+12
Hey digital storytellers and thriller enthusiasts! Sophie Bennett here, coming at you from my podcast studio where I’ve been obsessively analyzing narrative tension in audio formats.

Let me tell you why “Split Second” by David Baldacci, narrated by Scott Brick, became my unexpected gym companion for three weeks straight. As someone who dissects narrative structures for my ‘Future of Stories’ podcast, I was immediately drawn to how Baldacci constructs this dual-timeline political thriller about two disgraced Secret Service agents. But what truly captivated me was how Brick’s narration transformed the experience into something more immersive than my Kindle version could ever deliver.

“The Audio Alchemy”
Scott Brick’s performance is masterclass in tension modulation. When Michelle Maxwell (our fierce but flawed protagonist) makes that career-ending mistake, Brick’s voice tightens just slightly – a vocal equivalent of that stomach-drop moment when you realize everything’s about to go wrong. It reminded me of my BookTok experiment comparing text vs audio versions of “The Seven Husbands of Evelyn Hugo”, where the narrator’s subtle vocal shifts revealed character depths I’d missed in print.

“Cultural Resonance in Audio”
What makes this audiobook particularly fascinating in 2023 is how it prefigured our current obsession with professional failure narratives. Sean King’s eight-year-old trauma and Michelle’s fresh disgrace create this beautiful intergenerational study of accountability – a theme that’s exploded across TikTok’s #CareerFail communities. Brick handles these parallel arcs with distinct vocal textures: King’s weariness carries the gravel of lived regret, while Michelle’s sharper tones vibrate with barely-contained panic.

“Tech Meets Tension”
As a digital media specialist, I geeked out over how Baldacci’s split-second conceit (both literal and metaphorical) plays differently in audio format. The chapter where timelines converge had me pausing my Peloton to re-listen – something I never do with print books. Brick’s strategic pacing creates this delicious cognitive dissonance where you’re simultaneously tracking two temporal realities. It’s the audio equivalent of that viral TikTok trend where creators overlay past/present footage.

“The Nitty-Gritty”
For audiobook newbies: Brick’s 13-hour narration maintains remarkable consistency across 42 named characters. His female voices avoid caricature (a rare feat in male narrators), and he nails Baldacci’s signature dialogue rhythms. The political thriller elements gain extra urgency in audio – I found myself double-checking my apartment locks during particularly tense surveillance scenes.

“Where It Stumbles”
The audio format does magnify some of Baldacci’s exposition-heavy passages. A few mid-novel info-dumps about Secret Service protocols dragged slightly, though Brick’s committed performance kept me engaged. Also worth noting: this isn’t an audio drama with effects, so purists who want immersive soundscapes might crave more dimension.

“Final Verdict”
“Split Second” exemplifies why political thrillers thrive in audio – the constant low-grade tension becomes almost physiological when channeled through a skilled narrator’s voice. It’s elevated my personal ranking of Baldacci adaptations, though I still think “The Camel Club” series has slightly richer world-building for audio immersion.

Pro tip: Listen during your commute or workouts. The chapter breaks align perfectly with 30-minute intervals, creating this addictive ‘just one more’ momentum that got me through my least favorite spin classes.

Catch you in the digital stacks, story nerds! Don’t forget to tag me @SophieReadsItFirst with your own audio epiphanies.
Sophie Bennett